CD is presented in a Stoughton miniaturized "LP" sleeve with metallic ink and an insert. Across these three pieces, Connors builds upon the vision captured on his last studio album, 2011's Red Mars, where transparent, ghostly notes slowly unravel against a canvas of black drones and funeral tolls. In addition -- maximist, distorted six-string solos, that were once a hallmark of Loren's early-90s performances, make a mighty return here.