Developed over a four year period, No. 2 was composed using synthesizers and a variety of unidentified samples that were manipulated beyond recognition. Christina Vantzou then collaborated with Minna Choi of the San Francisco based Magik Magik Orchestra. Vantzou and Choi worked on the notation and arrangements and recorded the compositions with a 15 piece ensemble at Tiny Telephone studios in San Francisco. The chamber layer on No. 2 follows a similar pattern as her first record with the addition of bassoon, oboe, and an enhanced string section.