How do they do it? Are they smarter? Are they better? How can it be ignored or denied? How is it possible that one of the most unique, perfectly composed and performed, intense and awe-inspiring musical legacies the world has ever known is looming north of the equator physically tucked between world cultural giants India, China, and Thailand, without more than a whisper from ethnomusicologists or those who define themselves as "purveyors of world music?" Not only are the roots of this music unique, but so are the results after incorporating outside instrumentation from modern colonial and (unavoidable) international influence. What the Burmese have done with a piano is so precise in the adaptation to their existing form and melody that one would think they invented it. Burmese music has a very distinct sound and whatever instrument is assimilated into its core only seems to magnify the original intent without depending upon outside ideas relating to each component utilized. This collection will immediately bring you up to speed to what you have been missing all along. The time is now to put the real music of Myanmar on the map once and for all. Here are some of the greatest names from the past 50 years of Burmese musical history from the original recordings featuring Mar Mar Aye, Bo Sein, and the incomparable Tonte Theintan. Listen, and be amazed!