Whether re-defining experimental fusion sounds with the hugley acclaimed Yussef Kamaal, or his catalogue of 12"s for imprints such as MCDE, Eglo, and Rhythm Section as Henry Wu, South London's Kamaal Williams has been a key figure in his thriving international scene for the past few years. The Return is a natural evolution from the Yussef Kamaal project, mining the influence of visionary jazz but blended with all kinds of texture, sounds and signals from the over-saturated London streets. At times the keyboard work evokes the classic 70s fusion work of Lonnie Liston Smith or Roy Ayers, but underpinned by rhythms more reminiscent of blunted hip-hop and arrangements subliminally laced with the cut-ups of pirate radio.